Dark Vengeance SPOILER FREE

We here at Dr.Action and the Kick Ass Kid headquarters, in conjunction with our parent site www.aftermoviediner.com, were very happy to get a preview copy of, one of our favourite action men, Steven Seagal's latest film Dark Vengeance. Set to hit Redbox and VOD services today Thursday, February 27th.

If the truth be told, rather than being a feature film, this is actually 2 episodes of his TV Show, True Justice, edited together. It is a part 1 and part 2 of the same, on going, serial killer storyline though so it sort of works, despite there being no traditional character introductions or setting exposition that might  have helped for folks not familiar with the continuing adventures of Elijah Kane (Steven Seagal) and his band of bland CSI: Miami wannabes.

Imagine True Justice the series as a sort of CSI: Seattle but filtered through the fascinating brain of Steven Seagal and you can sort of imagine the look, feel and sound of Dark Vengeance. Sadly Seagal rarely whips his glasses off, stares just off camera and utters some punning bon mot on the discovery of a body. He does get some pretty terrific Seagal style, semi-philisophical one liners though, which are sure to please fans of the man.

The plot centres around a tough-to-catch serial killer that has been bumping off strippers in a way that seems to link the deaths to Chinese mythology. As the bodies stack up, Kane sends the two female members of his team under cover at a PG rated strip joint with the hope of setting a trap for this, slowly becoming, mass murderer. However all is not as it seems when Kane apparently captures and shoots the man responsible only for the killings to continue...
Along the way Seagal stops off to natter Asian healing techniques, herbs, mystical balms and mythology with his friend Chen, play some distorted blues guitar and occasionally shoot someone or beat someone up, even if it's not always entirely apparent why any of this is happening.

Also, along for the ride, is the cameoing George Takei as the not particularly helpful and stater of the obvious medical examiner in the police morgue.

When the action is happening Seagal proves he can still aikido his way out of a convenient plot contrivance or shoot his way into a pleasant diversion. His hands are seemingly as quick as ever and when it comes to staging a lean, mean shoot out, he's your man. The serial killer plot, too is pretty good, even if bodies are seemingly racking up on a daily basis with no useful clues to further an investigation, which becomes a little repetitive. The acting from the supporting cast is serviceable and rarely grating although you can't imagine they were given much to work with. The big man himself, Steven Seagal does that whispery thing he does with that ever evolving accent, including referring to his team as the POleese (police). It's fun to watch, if sometimes a little hard to hear exactly what words of wisdom he's attempting to depart. He has presence though, I'll give him that.

There are a lot of wild liberties taken with the law and police procedure, as you'd expect and seemingly there are no official repercussions for Kane's lax and violent approach to his job. This would all be fine if the story justified it in any way but then you're always welcome for some gun play or fisticuffs as, when they happen, sporadically, it reminds you why you were here in the first place. ACTION.

The main problem is two episodes of a TV show, while maybe having the same running time, do not have the same pacing, momentum or structure of a feature film. They essentially, or normally, would have a three act structure condensed to 45mins with a cliff hanger/twist ending. This means that Dark Vengeance has 6 acts, a twist and apparent wrap up in the middle of the film and then a lead up to the next episode/film at the end. Watched, however, with prior knowledge of the series and I imagine this is a lot clearer and maybe more enjoyable.

While I am not, personally, a fan of the flash cuts and close ups of the transitions that typically appear in police procedural shows in the US these days, the rest of the scenes are filmed ok and with, at least, a definite eye to some stylistic set dressing and lighting. The director, Keoni Waxman does his best work with Seagal, however, in 2012's Maximum Conviction.

So the plot's a bit all over the place, the final villain a bit laughably obvious and you'll have a tough time of it if you're not familiar with the TV Show but it has some amusing one liners and some sadly occasional but top-notch fighting and shooting. Probably only for hardcore Seagal fans but not one to miss if you are.

- The Kick Ass Kid

Grudge Match, let's talk about how GREAT Stallone is and why critics are wrong, AGAIN!

SPOILER FREE
Far from being some silly comedy based on the Rocky meets Raging Bull gimmick, this was a well scripted, well performed film about men, age, skill, passion, regret and dignity that, also, happens to be hilarious.

The only negative for me was the unimaginative, slow paced direction and editing. With someone who actually believed in the material and had a bit more visual flair and a marketing team that had any skill and this film would've been perfect.
Kevin Hart and Alan Arkin are consistently hilarious and the emotional story lines DeNiro and Stallone have to carry are maybe cliche but always engaging, never overly sentimental, always understandable and from a very manly perspective - few words and whole shed load of meaning. When you throw in some fun training montages, a great end fight, DeNiro being the funniest he's been since Midnight Run and a few welcome, but never heavy handed, in-jokes you have a solid, decent, enjoyable film that more people should see and enjoy but probably won't.

As for Stallone, why is it critics are shitting on all of his movies? they portray him as a rangeless, emotion-less, slab of no good, idiotic meat and they can barely even bring themselves to acknowledge his action prowess unless in a derisive or ironic way. They criticise his acting, his looks, his speech - everything! but Stallone is terrific in Grudge Match. Utterly believable, charming and matches DeNiro beat for beat in the acting stakes. You say he has no range but was he playing Rocky? No! was he playing Rambo? No! was he playing Barney Ross? No!
Critics should watch old films occasionally and remind themselves that their set-in-stone, out-dated, stereotypical and lazy opinions about some actors are wrong. Al Pacino is mostly always Al Pacino, same with DeNiro and more-often-than-not Nicholson, go further back and Mitchum, Bogart, Stewart, Grant etc. all were GREAT but all had onscreen personas. Well so does Stallone but he's not always the same, any more than any of those other actors I just mentioned. No he's not Daniel Day Lewis, thank god! That guy puts on a fake beard, stoops over slightly, talks in a funny voice and people think he's a genius (misguided fools!) but Stallone is a strong, interesting actor and Grudge Match gives him some scenes to show that off. It may well be his single best straight performance roll since Cop Land.

Most people who go to see this film won't take away from it what I did and that's a shame but even if you don't, if you can look past the somewhat slow pace and inept editing, there's at least a good man-centric comedy there that never has to resort to gross-out or infantile humour to get a big belly laugh.
This movie got made because it has a cracking script, the Rocky/Raging Bull thing was just a bonus.
- The Kick Ass Kid

'Homefront' Review SPOILER FREE

The ever prolific Jason Statham is back for his third film this year! First it was Parker, then Redemption/Hummingbird and now, finally, the Sylvester Stallone penned Homefront, based on the book by Chuck Logan.
My reviews of his earlier outings this year were full of pride and praise for the guy who, despite harsh, incorrect criticism and rarely stella box office, continues churning out diverse, yes I said it, diverse films.
This time round please take that as read because, actually, in Homefront, Statham has delivered his most throwback, recognisable and just down right enjoyable action film of the year. While the junkets and interviews for this have tried to emphasise the emotion in the story, Statham showing vulnerability as a father and talk of The Man Who Is The Stath trying something different, actually this is the one movie this year that he's made that is just a straight up, old school, action film.

When the movie starts we see undercover agent Stath's last case gone bad when his delicate work undercover with a biker gang is shattered by the heavy and messy hand of the DEA. He resigns, his wife gets sick and dies and so his daughter (Izabela Vidovic) and him move to the Louisiana countryside that his wife loved so much. He hasn't been there long when trouble at the daughter's school escalates into confrontations with the local, strung-out hillbilly woman (an almost unrecognisable Kate Bosworth) and her no good, dentally challenged, lank haired man. Bosworth happens to be the sister of the local nut job meth dealer Gator (James Franco), who is unceremoniously banging an ex druggie biker chick (Winona Ryder) who,     in turn, happens to know the old biker gang who still hold a massive grudge against our musclebound, monosyllabic, balding hero.
The stage is set for all hell to break lose and for The Stath to do what he does best and clean house. Throw in a crooked but charming sheriff (The always welcome Clancy Brown), the dependable, one good man in a hick town, best friend (Omar Benson Miller) and the beautiful, red headed, more than perfect, school psychologist (Rachelle Lefevre) and you've got yourself a damn enjoyable, by the book, nostalgia tinted, kick ass action movie.

If you've seen and loved Walking Tall or Road House then you'll like this. In fact I had to chuckle when I heard the name he was using, at the beginning, as an undercover biker. You'll see what I mean...

Much has been made of the script being written by Sylvester Stallone, you know because short-term memory critics forget the man has written a ton of screenplays, was Oscar nominated and developed three of the most successful franchises of all time, but, here, again,  he shows that he hasn't lost his touch. Stallone writes relatable, human and enjoyable, kick ass entertainment and he does it almost better than anyone else. That's what you get here, some pretty decent character moments, some recognisably entertaining and enjoyable interactions, the odd cool one liner and action on and off through out.
There is a pause in the middle to allow for character and plot development, some father and daughter bonding scenes and a nice sense of building tension for the third act fight but Statham dispatching some lunk headed rednecks is never far away.

As for the action we get a couple of car chases, some old fashioned fisty cuffs and even an enormous explosion. Statham is an old pro at this stuff and, thankfully, there isn't too much shaky cam-itis or heavy handed editing to ruin his masterful handling of the rough and tumble, although, ideally I'd prefer my fight scenes with no added style or flash from, overly twitchy, DPs at all.
The direction from Mr. Old-reliable, Gary Fleder (Kiss The Girls, The Runaway Jury) is absolutely fine. He captures everything with the minimum of fuss and you're never unsure of what is going on. I imagine it would be difficult to make Louisiana look ugly but Fleder and his DP do their best to really make the surroundings pop with colour and texture.

As for the acting, the mad hodgepodge of a supporting cast do their roles pretty damn well actually. Kate Bosworth stands out in her role of the tweaker sister and it's by far the best she's been in anything I've seen her in. Franco is good, he doesn't overplay it and while he lacks overall menace and is clearly a bit out of his depth, he does his best to portray the strung out Gator as a ruthless, wasted loser who could snap at any minute. Winona Ryder doesn't have a ton to do and neither does Rachelle Lefevre but Clancy Brown and Omar Benson Miller are effortlessly enjoyable and welcome whenever they're on screen.

Statham is his usual strong self, with maybe even less to say in this than in his normal roles and while he seems comfortable and it's never jarring, he does, sadly, lack great chemistry with Izabela Vidovic, the girl playing his daughter. Which is odd because in Safe he formed a very real and pleasing on screen bond with the girl in that. It is not that Izabela is no good, either, because she's a great little actress and they do have some affecting scenes together, it's just not 100% believable, not that it has to be for the film to work.

So, for all of you who don't believe Statham does anything but the same character in the same film, hopefully 2013 has proved you wrong, if it hasn't, Homefront is hardly going to go any further to change your mind, that being said, if you watched Parker and Redemption and longed for some of the wham bam, throw back days then Homefront should help stop that craving.
For me, personally, I like them all. If I had to rank his last three it would be Redemption, Homefront and then Parker but there's really very little between them. They're all damn cool.

Long may Statham continue.
- The Kick Ass Kid

Battle of the Damned

Saturday night I went to the 'Day of the Undead' Zombie film festival in my hometown of Leicester UK. I do love a good zombie flick, but this year it had an added bonus, Battle of the Damned which is, basically, Dolph Lundgren vs Zombies.
The organiser, Zombie Ed, told us that the film company behind the movie said, “if you don’t like the sight of Dolph running around killing zombies, you’re dead inside”. Well was he right?

The basic premise is simple, Dolph plays Max Gatling, a private soldier hired to go into a cordoned off city to find the daughter of a multi millionaire. When most of his crew are killed off by the zombies, who are marauding through the city, Dolph sets off on his own to find the girl, not getting on the chopper sent in to take his group to safety. Dolph now must find the girl before the city is destroyed by the missiles attempting to wipe out the zombie infection.
Will he find the girl, get her to safety and any other survivors??

Lundgren still has it, his running shows his age, but it doesn’t stop him high kicking zombies in the face. His acting has gotten so much better over the past few years, he really is excellent, as are all the cast, everyone is pretty good, better than some acting you usually see in some lower budget movies.
Oh and Dolph teams up with robots, yep ROBOTS. The mood in the cinema watching this was fantastic, nobody was dead inside, seeing Dolph kick, stab and shoot zombies was an awesome sight, very fun and well made.
The only problem really was the old problem with action movies, in that the director really needs to hold the camera still! it goes all over the place! But overall its still a GREAT fun action horror. With zombies AND ROBOTS!!!!!
'Day of the Undead' has been running for a few years now and is always a great day for zombie fans, for more information go to www.terror4fun.com, its creator can be found on twitter @zombieeduk.
- Dr.Action

ESCAPE PLAN

So it is finally here and despite my high hopes, Escape Plan opened to shitty box office and mediocre reviews. It was nice to see, however, critics were less snobby and had less of their head in their arse than when it came to earlier action films The Last Stand and Bullet To the Head.

The film, like the trailer showed, is basically about Stallone's character, Ray Breslin who is an expert at breaking out of prisons. He runs a company with, clean-freak, Vincent D'Onofrio and, his cohorts in the getting out of clink business, Amy Ryan and Curtis '50 Cent' Jackson. They test the security loop holes in maximum security jails for the government.
When Sly is double crossed and winds up in 'The Tomb', a seemingly, impenetrable, hi-tech fortress run by butterfly-fancier, waistcoat stroking and dead-eyed company man Jim Caviezel, he forms an unlikely partnership with bearded Arnold Schwarzenegger and some others around him, to break out and get revenge. Throw in an odd 'wait is that Sam Neil?' cameo and bullet headed, rubber suited-rent-a-guard Vinnie Jones and you have yourself the sort of high-concept storytelling and set up for kick ass fights and explosions that we just don't get enough of anymore.

It's a strong plot, an awesome set up and the script is pretty good by similar, action film standards. The supporting cast, possibly the oddest mix of character actors and c listers ever assembled outside of a bad 2000s Christmas movie, veer wildly from being very dependable to odd and interesting, sadly taking in bland and awful any time Ryan or Jackson are on the screen. Ryan's banter back n forth with Stallone, in particular, is creaky and painful but the fault may lie, equally, with the slow and sloppy editing (more on that later).  I am not sure what Jim Caviezel is doing but he has decided that daintily painting a dead butterfly or slinking around in a tailored three-piece spitting out lines in a way that, I suppose, is meant to be threatening but comes off like he's being all sultry and trying to tongue fuck the leads, equals a cool and mesmerising villain. It doesn't quite but it's ok, passable and suitable to the genre at hand.

What you've really come to see though and what doesn't disappoint is Sylvester Stallone and Arnold Scwarzenegger. Watching them on the big screen is an unrivalled joy. That critics dismiss them and audiences ignore them is a crushing shame. People can't see past the baggage of their former careers and want to make every new film they do some how a comment on that, a throw back to that or unfairly compare it to the 'good old days'. This is to do Escape Plan, Bullet To The Head, The Last Stand etc. a massive disservice. Both of them still have the action ability, the star charisma and the acting skill in bucketfuls. I even think Schwarzenegger is a better actual actor now than he was in his heyday. In Escape Plan he imbues his character with a wonderful sense of humour, mischief, energy and intelligence that's not on the page. In Escape Plan they play real rounded characters with little to no nodding or winking at the camera and it's an absolute pleasure to see them work together both as actors on the screen and as characters in the story. Schwarzenegger has the bulk of the showy/stand-out scenes and Stallone does the running, climbing, punching dependable guy with sorrow and intelligence behind those famous heavy eyelids.

Then you get to the action. It's a little unfortunate that this film packs 90% of its gleeful, old school, shoot 'em up, beat 'em up, crash bangery into the last 20mins but when it arrives it is enjoyable, air punching, explosive moment after moment. It doesn't let up and it delivers like a milkman with a huge erection and a pint of cold cream. How can you hate on a film where Arnie tears an enormous gun off a helicopter, turns round in slow motion and fires off a thousand bullets into a group of electronic-sex-gimp looking, futuristic prison guards? it's simply not possible.

The reason Escape Plan doesn't quite hit the highs it might have done, is solely at the feet of the director. There simply aren't many good action directors working today and if you wondered if the future of action was Mikael Håfström then sadly not. While not the worst offender Håfström just can't film a hand to hand combat scene as successfully as you would like and, also, his pacing leaves a lot to be desired. While I understand he has Rambo and The Terminator in a film together and probably felt intimidated to fuck, the film could just do with being tighter and more interesting/exciting through the first two thirds of the film. Think Sodderburgh's Ocean's Eleven, Sam Raimi's The Quick and the Dead or Robert Rodriguez's anything! All could've made some of the clunkier, earlier scenes really zing off the screen and with some judicious editing and a cinematographer that was awake and alert, who knows what could've been accomplished.
Ultimately, though, I settled in and the direction didn't really bother me because once Arnie and Sly get together, they grab the film, run it right down the pitch and score a big touchdown with it, laughing and firing guns in the air all the way.

While Escape Plan was not the tightly wound, action filled classic I was hoping for, it was a solid, enjoyable and entertaining film which delivered enough that I left the cinema shadow boxing and giddy as a school boy full of pudding. I put it on a par with Bullet To The Head and just behind The Last Stand for 2013 action films.

The disappointment is that because of audiences being 12 and idiots we might not get to see the likes of these enjoyable for enjoyments sake, throwback action movies much longer, so, if you're like us and you're a fan PLEASE go support this and others like it whenever and however you can.
- The Kick Ass Kid

MACHETE KILLS

So, Danny Trejo returns as MACHETE, for some it may not be great news, the first Machete movie was greeted with mixed opinion but I, for one, loved it.
Robert Rodriguez is one of, if not my favourite writer/producer/DP/directors working today. I’m sure the stroky chinned, scarf wearing critics see him as nothing special, he doesn’t make movies about people trying to become better people while helping out a crippled dwarf, all done in black and white with long meaningful gazes into the camera but to these people I say, fffffuck off!
Rodriguez makes movies about cool mofo’s in leather jackets who carry huge guns and bigger machete’s.

The plot of Machete Kills is simple, Machete is recruited by the President, played by newcomer Carlos Estevez (this boy will go far, with a little tiger blood) to go find Mendez who has missiles pointed at the White House. Machete agrees, with the promise of US citizenship. Along the way we learn of deceptions and meet outrageous villains, including The Chameleon who change their image everytime they kill someone. 

Mel Gibson plays Voz, the mastermind who built the missiles and is the one who can switch off said missiles after Mendez detonates the bombs to launch in 24 hours. Rodriguez has again created a great set of characters, with previous ones returning, notably Michelle Rodriguez who is a great female action star.

Hollywood stars still want to work with Rodriguez and Mel Gibson makes his debut in a Rodriguez pic as James Bond like villain Voz. Is he good? Hell yeah! he is perfect! He plays the role with glee. As listeners to the show will know, Gibson is one of my favourite action stars and I can seperate the personal and the star. From seeing him in Machete Kills, next year might just see Gibson give the Expendables the biggest run for there money yet. He clearly had the time of his life doing this part.

Everybody in fact looked liked they were along for the ride, including a certain pop star, Lady Gaga, a new ass kicker on the action movie scene? Why not. The beginning of the movie shows a trailer for forthcoming movie Machete Kills Again...in Space, so who knows. There is a further trailer at the end promising it again, I CAN’T WAIT.

I do hope that either on the DAATKAK pod or AMD we can put out a Rodriguez special or series, the man is a genius and while other directors say they want certain independence from the Hollywood system, this guy has acheived it on his own terms, with a self sufficient studio and using Hollywood money to make the movies he wants. When he can attract top stars why wouldn’t they?

Let’s not forget recent guest on the After Movie Diner William Sadler, as ever he is fantastic, playing the Sheriff with real steal and a hell of a handgun.
Go SEE IT!!!!!
- Dr.Action

RED 2

DON'T WORRY! SPOILER FREE!!
When I saw RED in the cinema I liked it, when I watched it again on Blu-Ray I LOVED it. The humour was fresh, the action was great, the story was surprising, there was energy, great performances and some genuine punch-the-air and cheer moments. Like the lighter, comic-book, family version of The Expendables. I will never get tired of old folks beating people up. It's just better, funnier and cooler.

Now here comes the inevitable sequel and, truth be told, it's not bad. If you enjoyed the first one then you will not be disappointed by the second one. The script is ok, the performances pretty good and the action enjoyable.

For some reason and I can't quite put my finger on why, although the pacing and globe-trotting may be a factor, it doesn't quite have the zing, pop, crash, bang, cheer factor of the first. The action, while executed well and while there's plenty of it, has the little annoying twinge of 'you've seen this stuff already quite recently' and 'oh look, they've walked on to a sound stage, here comes another big set piece' and it has a little annoying script trait where characters we know and see being cleverer than the other guy are easily duped when the script requires it, even though the audience see it coming. These are, however, just small complaints as neither hugely detracts from the enjoyment of the film. One thing that seemed a little forced was the rather heavy handed jokes, nods and winks concerning Willis and Parker's ongoing relationship struggles but I suppose the screenwriter thought it would give everyone something to do apart from just shooting everything. Lastly, it's a tad, needlessly, over long and suffers from World War Z lack-of-blood syndrome, despite plenty of dead bodies piling up.

There are still some great, explosive action and fight scenes though and, despite the bloodless quality, it's plenty violent. On the plus side, too, the director doesn't wave or shake or flail the camera around during the action like a mental having a spasm, so you can actually see what's going on. A breath of fresh air after some spectacularly badly filmed sequences in a certain Summer blockbuster about a flying alien with a cape and little maroon booties. In fact, despite some of the, maybe overly critical, down points I listed above, the more I think about the film, the more I remember bits in it that seriously kicked ass and there was certainly one or two moments where fists were pumped and appreciative laughter happened.

Willis returns to the role of Frank Moses well and has a particularly fun scene in a records room at the beginning, Mary Louise Parker is charmingly ditsy although her make-up makes her look weird and plastic-surgeryesque from time to time, Zeta-Jones is a little surplus to requirements, Anthony Hopkins leaves little scenery unchewed, Byung-hun Lee plays the Jet Li in Lethal Weapon 4 role but does it well, I could watch Helen Mirren fire a gun from noon to night every day for a year and never get bored and Malkovitch (and his outfits) steal the show.

The film has a little bit of an Oceans 11/12/13 vibe, in the sense that you get the feeling the cast are having a better time on set than actually translates on screen but, overall, I would definitely recommend it.  It's not going to change any lives but I'd happily check out a third if the box office so demands it, after all it's by far the best DC Comics movie we've had since RED (the first film). Here's hoping, like the first, it gets even better with repeat viewings.
- The Kick Ass Kid